Dramas, comedies farces, fables present characters who need to build trustworthiness. Building trust is a dramatic need faced by the characters to move the story and plot forward.
Where has the time gone? The eighth and final installment of Hinton’s Playroom series, “All the Year”, is set in the living room – one decorated for every big day on the calendar.
And Sarah Laughed is a 3-woman musical comedy glimpse into the world of women as they navigate to find their own place in a man’s world Part comedy, part in-your-face slapstick, And Sarah Laughed is a matrimonial cabaret.
Leaders of the snake-handling Signs Following Church in the hills of Appalachia are threatened by the snakes they handle to prove their Godliness and by the law enforcement and child welfare agencies of the surrounding community. They live side-by-side with the Blue People, a society of outcasts whose skin is marked by a blue skin tone. Into the mix comes Jay, a shy, possibly autistic, journalist intent on uncovering the secret world of these hidden cultures.
In this strangely magical play with songs, a woman wakes up in a train station someplace between Maybe and Nowhere. Everyone she meets is waiting for something or going somewhere, but she's just looking for a way out. The play explores how we get stuck and how we get unstuck – and what can happen in those crucial moments when how we respond makes all the difference . . .
Great for site-specific theaters or professional theaters, as well as college and university venues.
In this picaresque comedy/drama for 2 actors, Brendan and a companion journey in a small boat to the 'promised land over the waves.' Using props and costumes, the actors portray pivotal and conflicting characters from their past friendship. Gradually, they confront and resolve differences that threaten their relationship.Brendan's Journey is a play about relationships: with friends, with spouses, and with God.
This large-cast play with a variable cast, preserves the original story of A Christmas Carol while revealing the story of its author Charles Dickens. Two families, one fictional, one historical, find their way to a brighter New Year for themselves and others around them. God Bless Us Everyone. Great for school, community, LORT, and professional theatres for a new twist on an old tale.
A Musical country and western version of Cinderella. In this musical one-act for kids, the Prince is a Cowboy and Cinderella meets and lassos her handsome prince. A modernised parody version of Cinderella classic kid's tale by Lori M. Myers with music by Ray Rhoads. To be performed by 5-7 adults or teens for children.
DropOut, a one-act comedy for teens, puts Norman Tubbs, a guidance counselor in charge of keeping high school kids in school, especially those that don't want to be there. The characters in the play find school a challenge for a variety of reasons-the impact of a divorce, clowning to deflect emotion and commitment, learning difficulties, and peer pressure.
Great for high school, community theaters, and talk-backs after the show.
With roots in the morality play, EVERYMAN, this fun participatory play for children by Gillettte Elvgren, depicts the adventures of two contemporary kids, Everygirl and Everyboy as they explore some of the temptations of our American culture. The kids decide they don't need each other and take off separately into the adult worlds of Moneyland, Beautyland, Factland and Success City. Can be performed for and by children.
In GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In two separate full-length plays, male or female survivors both confront and comfort one another as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters. Run time is about 95 minutes.
A well-meaning “foreigner” attempts to rescue the White Cliff Kinfolk – a mixed-race society isolated from civilization in the hills of New Jersey for over 200 years. Love. Death. History. Magic. Nature. Belief. All of these are played out on the stage. All but one character are mixed race, mainly African-American. One character is specified as African-American. The others are as diverse as desired. Highly theatrical staging possible.
These voices from the Old Testament are perfect for Christian solo drama performances. Also with voices of contemporary men of faith, struggling or affirming their beliefs bring modern issues to life. Perfect for inclusion in virtual church services and programs, and also as audition pieces. For performance rights for individual monologues, please contact us.
What if numbers could feel? Does a number feel diminished when it is subtracted? Originally written for a math-tutoring business open house, this short script is perfect as a classroom or meeting diversion.
Adam and Eve start the first world war as they negotiate an uneasy peace when they are banished from Paradise. A funny take on the likely conversation after being ejected from Paradise. And of course, there are rules about Apples.
College students return to class after the pandemic to find love with a hint of betrayal that could end Alex and Savannah for good. Foreign exchange students find new friends at the drama club's spring musical audition. Can Toni lead this group through personal inhibitions and a lack of self-esteem with the magic of music? Working with Keith, Toni helps him learn to dance in his wheelchair igniting a mutual passion. The “People R Ready”—are YOU!!!
41 Plays-On-A-Page convey slices of sometimes fantastical life. Sometimes biting social commentary, sometimes whimsical asides. These short dramas and comedies leave the audience guessing about their own lives and the world around them. William Heyen, National Book Award Finalist and major American poet, has turned his pen to the stage, with stellar results.
