One of the most common themes in drama is the battle between good and evil. … While characters begin on the side of good, the plot introduces them to people and circumstances which alter their path to evil.
A man is lied to when he volunteers for a psychological experiment on the role of pain in learning. His experience leaves him scarred. Twenty years later, he confronts the psychologist who conducted the experiment. To inflict revenge? T0 get an apology? Does he even know why? Do we?
The year is 1885. Sherlock Holmes and Dr. John Watson are chatting in the parlor at 221B Baker Street when a strangely attired group of individuals enter, pleading for help. They say they’re from a traveling bazaar of magic and someone has kidnapped their impresario, Madame Vera.
Cinderella, The Sleeping Beauty, and Snow White Script Collection
Adaptations, by Mickey Coburn, of three popular fairytales, have been produced, to great acclaim, in children's theaters, as well as classrooms. These adaptations have unique characters among their more familiar companions to give more casting options and more roles. First produced, then toured, by the Boston Children’s Theatre, directed by Mickey Coburn.
Seven contemporary monologues that take the audience into a roller coaster ride of the psyche from predators to bizarre takes on the afterlife. Featuring an electric chair experiment, missing body parts and a weird scientific experiment to name a few. Great solo performance ideas.
A cave in the Caribbean is the repository for the treasure of the honourable privateer, Captain Jedidiah York who is ready to retire to a normal life. On their latest voyage, a portrait of a young lady is among the spoils in the captured treasure and York becomes smitten.
This one-act, two character play opens during the pre-dawn hours of November 5, 1831. It is the day that Nat Turner, leader of a bloody slave rebellion, will be tried, convicted and sentenced to death. In the predawn hours before the trial a mysterious woman enters to purify the courtroom. Seven days later she is there by the hanging tree when Turner is executed and thrown into the darkness of death - where he fears he has been eternally abandoned.
Oliver Twist Stage Script for Schools, Colleges and Communities
A mischevious comedy adaptation of Oliver Twist. Funny and fierce, with flexible cast, this play can be performed anywhere from the classroom to the professional stage. True to Charles Dickens’ classic novel - entertaining, touching, and comically socially relevant. Free Sample to read.
Fight for Life is a low-rent Jerry-Springer-style talk show whose mantra is embodied by its two major chants: Fight for Life and Stage the Rage; its ratings are sliding and fast. Along comes Grace Truman, a guest whose story seems likely to reverse their declining numbers but she is not quite the guest that host, Burt Solomon, expected.
From a murky past, Rasputin disrupts Russian society with his charismatic fervor. Despite several assassination attempts, Rasputin survives and thrives. Will nothing rid of us this meddlesome priest?
This one-person show was inspired by C.S. Lewis’ classic offering, The Screwtape Letters, and features the demon SCAPEGLOAT, as he instructs a mélange of demons in the finer points of how to bring a couple of humans, Christie and Charlie, into his hellish domains. A distinctly Christian point of view.
4 skilfully adapted plays for young audiences: Romeo and Juliet, The Tempest, A Midnight Summer's Dream, and Macbeth. Plays are each around 45 to 50 minutes, are fast-paced, engaging, and make the language more accessible to young audiences, while including both Shakespeare’s original language and theatrical devices. As exciting participatory theater they appeal to elementary school students. With the participatory elements removed, each play's frame story is producible as a play for teens or for teen drama groups to perform for a younger audience.
In The Devil’s Due, a one-act drama/comedy, an artist, Eric Talmadge, confronts the decline of his aesthetic powers and the possible dissolution of his marriage. In a satiric tour de force, a visitor—possibly a neighboring psychiatrist and possibly a more fearsome presence—offers him a possible way out of his dilemma. Is M. Boudreaux really an unorthodox psychiatrist practicing from his apartment in NYC or does he represent a power other than the mind? And what choice does he give Eric in order to regain his peace of mind and his artistic abilities?
