A middle-school teacher is in a war zone between two students when both their reports turn out to be about the Layson Albatross. Does she side with Davy whose report says that Layson couples raising their chicks are sometimes both female? Or does she come to Beth's defense when Beth wants to silence Davy's report as "fake news."
A delightful, one-act play script adapted from the classic Lewis Carroll tale. Staying true to the original, this adaptation for the stage brings all the characters of the original Wonderland to life. Great for classrooms with a diverse student body, for children's theater, competitions and for reader's theater.
Alice takes the plunge yet again in this madcap one-act comedy. A glorious romp for the stage, the world behind the mirror leads her to a realm where everything is backward. Sense is nonsense. Backwards is forwards. The faster you run, the further behind you get.
Easily performed either in the classroom or on stage. A delight for school drama groups with diverse casting challenges. Downloadable PDF's for purchase available.
Cinderella, The Sleeping Beauty, and Snow White Script Collection
Adaptations, by Mickey Coburn, of three popular fairytales, have been produced, to great acclaim, in children's theaters, as well as classrooms. These adaptations have unique characters among their more familiar companions to give more casting options and more roles. First produced, then toured, by the Boston Children’s Theatre, directed by Mickey Coburn.
An award-winning, full-length play with music filled with the poetry of the Eastern Shore of Virginia. Robert P. Arthur weaves fragments of conversations and traditional melodies to portray the love and heartbreak of its watermen and women--the love of the sea, a mother for a child, a man for a woman.
These voices from the Old Testament are perfect for Christian solo drama performances. Also with voices of contemporary men of faith, struggling or affirming their beliefs bring modern issues to life. Perfect for inclusion in virtual church services and programs, and also as audition pieces. For performance rights for individual monologues, please contact us.
ROBERT ARTHUR'S EASTERN SHORE by Robert P. Arthur, twice nominated for Virginia's Poet Laureate: The book includes 4 one-act plays, a selection of his award-winning poems, and "Hymn to the Chesapeake," a play with music. The culture of the Eastern Shore watermen and waterwomen has long been threatened by the erosion of winds off the Chesapeake Bay and a dwindling supply of crabs and "ersters" to be harvested. These poems and plays celebrate that life and allow us, to share the triumph and the pain of finding one's livelihood and reason for being in an environment that is both beautiful and unforgiving.
In this one-act mixed up fairy tale comedy musical by Cindy Rock Dlugolecki, the Fairy Godmother is announcing her retirement! What are they ever to do? At first, Goldilocks, Aurora, Cinderella and other fairy tale heroines from different fairy tales go into a tizzy. But then, they begin to question the shallowness of their lives. Are they what heroines should be? Why do they always need to be rescued by handsome princes? What kind of life is that? It's time for change!!! A fairy-tale for our times with a new message for young girls and women.
A Poetry Collection For Spoken Word Theater. A moving, insightful autobiography combining poetry and reflection reveals the emerging life and art of a poet. Can be used selectively to construct short one-act plays. The poems are superb for spoken word theater, solo acting scripts, one-person shows, monologue plays scripts. See the script extract.
Aesop's Fable The Tortoise and the Hare meets an African Ibo legend . This one-act comedy play script for kids reveals what inquiring minds have always wanted to know - the inside scoop behind Aesop's most famous Fable and why tortoises have cracked, lumpy shells.
This 60-minute Christmas play for the whole family is adapted by Gillette Elvgren from "The Snow Queen" story by Hans Christian Anderson. Follow the adventures of the young girl Gerda as she strives to free her best friend Kay from the icy grip of the Snow Queen. A modern version with optional audience participation, for Children's Theatre or students to perform for family audiences.
A very different Dorothy lands in Oz to find some romantic interest from one of the Munchkins and a conflict over language and meaning from the Good Witch.
