A trilogy of one-act plays, The Boarding House, Eveline, and The Dead
Based on Dubliners by James Joyce; adapted for the stage to allow us to enter the lives of three Dublin women. Dublin society of the first decade of the 20th Century comes to life through the frustrations, fantasies, and follies of Irish women who are also victims and victimizers of their mates.
Broken Dolls tells the fictional stories of women- both international and domestic- who have been trafficked for sex work, domestic labor, hotel work, and agricultural work. Taking place in a waiting room at a social service facility, the play revolves around five female survivors of human trafficking who cross paths. Entrapped and isolated, five women come together to weave their narratives in a mix of monologue and dialogue, merging reality and memories of coping and longing.
A Musical country and western version of Cinderella. In this musical one-act for kids, the Prince is a Cowboy and Cinderella meets and lassos her handsome prince. A modernised parody version of Cinderella classic kid's tale by Lori M. Myers with music by Ray Rhoads. To be performed by 5-7 adults or teens for children.
In this poetic drama, we see the past through the eyes of a German-American who looks back on his ancestral heritage and tries to come to terms with it. He encounters voices and embodiments of World War II, like echoes from the past and tries to find answers where there are only shadows. Distant Survivors was conceived and adapted for the stage by director June Prager, based on Holocaust poetry by William Heyen.
A collection of short comedies for seniors by Evan Guilford-Blake. The short comedies may be performed separately or together by a cast of as few as five or as many as 10. Contains:
- Old Friends -Two strangers meet on a park bench,
- The Baby - A pregnancy brings new challenges into old relationships
- Strangers in the Night - An older woman meets a younger man on the deck of the SS Sinatra, a recreational cruise ship, somewhere in the Caribbean
In GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In two separate full-length plays, male or female survivors both confront and comfort one another as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters. Run time is about 95 minutes.
A comedy that actually DEFENDS insurance companies because everyone just assumes that insurance companies have an unlimited amount of money to hand out.
What if numbers could feel? Does a number feel diminished when it is subtracted? Originally written for a math-tutoring business open house, this short script is perfect as a classroom or meeting diversion.
“Oil Pandango” is the fifth installment in the Playroom series, and it’s set in the garage. A lot of teens take over the garage with dreams of starting a band, but Marla isn’t a lot of teens.
This one-act play for teens deals honestly and openly with depression and suicidal impulses among teens. Set backstage in a high school theater, a high school drama class is rehearsing Hamlet and personal issues--cutting, eating disorders and low self-esteem--that are seldom discussed begin to emerge after the teacher discovers a suicide note.
Ideal for middle school and high school students. Easy to tour with a simple set. PDF available.
Fight for Life is a low-rent Jerry-Springer-style talk show whose mantra is embodied by its two major chants: Fight for Life and Stage the Rage; its ratings are sliding and fast. Along comes Grace Truman, a guest whose story seems likely to reverse their declining numbers but she is not quite the guest that host, Burt Solomon, expected.
Prince Hedgehog is a dramatic adaptation of a delightful folk tale in which a Prince—in this case born a hedgehog because of his mother’s hasty words—is sent out to further his education. This is a transformation play with a twist.
4 skilfully adapted plays for young audiences: Romeo and Juliet, The Tempest, A Midnight Summer's Dream, and Macbeth. Plays are each around 45 to 50 minutes, are fast-paced, engaging, and make the language more accessible to young audiences, while including both Shakespeare’s original language and theatrical devices. As exciting participatory theater they appeal to elementary school students. With the participatory elements removed, each play's frame story is producible as a play for teens or for teen drama groups to perform for a younger audience.
A full-length, African-American, post-Civil War drama. The only child of a deceased well-heeled Mississippi slaveholder. Martha Robb views her coming of age full of the adolescent longings and unending horizons promised by the victorious Union Army. and her quadroon complexion. She and her companion, Thomas, could forge different lives, lives absent of the old barriers … if they could only get past her mother.
A one-act playadapted from "The Dead" in James Joyce’s “Dubliners”
During an annual Christmas celebration, Gabriel Conroy has to cope with his doddering aunts, discover the true nature of his relationship with his wife, Gretta, and confront his own academic pedantry. He condescends to the provincialism of his friends, family, and his wife. But a big surprise about Gretta awaits him after he retires for the night.
