A full-length adaptation of Frankenstein. True to the Mary Shelley original, except for a comic servant role, the play depicts the monster Creature with as much horror and sympathy as the original. Excellent for Halloween! Earlier versions of this play by Kathleen McBlair have been performed in school and community theaters since 1980. Audiences love it and scream heartily every time the Creature arrives in the window.
An award-winning, full-length play with music filled with the poetry of the Eastern Shore of Virginia. Robert P. Arthur weaves fragments of conversations and traditional melodies to portray the love and heartbreak of its watermen and women--the love of the sea, a mother for a child, a man for a woman.
Lamb's Tales: Four Simple Nativity Plays for the Littlest Lambs and Six Christmas Pageants for the Flock Skits and pageants for church Christian holiday. Short plays to be performed by children as young as 4 and adults will allow everyone in a religious community to star in their church's Christmas celebration.
This adaptation of “Romeo and Juliet” by Robyn Hilt reduces the original but retains the major plot points and beauty of the poetry. A great choice for classroom presentation. All of the major scenes and plot points are intact, as well as the humor of the Nurse and Mercutio. Students take one role and develop that character through analyzing motives and decisions.
SPREAD YOUR GARMENT OVER ME (Ruth, 3:9) is written as a series of fifteen monologues and songs. These monologues capture the spirit and character of several women from the Bible and speak to a modern audience. The monologues present issues of faith, religion, and contemporary challenges. Monologues may be used separately as part of a church service or be performed by 1 or more actors as a production. Lead sheets for the music are available.
For use of individual monologues, email info@bluemoonplays.com
A full-length touching and funny 'dramedy' by Mickey Coburn, about a newly widowed woman and her changing relationships with her grown children. Yetta's family expect her to remain 'mama': dependent and indecisive but Yetta has ideas of her own. After years of marriage, she wants to live for herself. But when the suitors begin to appear!!!! Will Yetta be able to emancipate herself from the role of "Jewish Mother"? Even if her new beau is the "likker" salesman?
Great for community and regional theaters. Downloadable PDF available.
