Plays for five actors. The plays have roles for 5 actors of either gender but may have more than 5 characters of either gender, so doubling of roles is possible
Six short interactive plays portray a whacky witch who is more comic than frightening. The ethnic flavor of the plays appeals to all audiences. Three episodes run about an hour; six episodes are included to mix and match depending on the needs of the young audience to create a one-act play script for Children's Theater and Community Theater.
Broken Dolls tells the fictional stories of women- both international and domestic- who have been trafficked for sex work, domestic labor, hotel work, and agricultural work. Taking place in a waiting room at a social service facility, the play revolves around five female survivors of human trafficking who cross paths. Entrapped and isolated, five women come together to weave their narratives in a mix of monologue and dialogue, merging reality and memories of coping and longing.
A Musical country and western version of Cinderella. In this musical one-act for kids, the Prince is a Cowboy and Cinderella meets and lassos her handsome prince. A modernised parody version of Cinderella classic kid's tale by Lori M. Myers with music by Ray Rhoads. To be performed by 5-7 adults or teens for children.
In this poetic drama, we see the past through the eyes of a German-American who looks back on his ancestral heritage and tries to come to terms with it. He encounters voices and embodiments of World War II, like echoes from the past and tries to find answers where there are only shadows. Distant Survivors was conceived and adapted for the stage by director June Prager, based on Holocaust poetry by William Heyen.
In GROUP S.O.S. by Bonnie Culver, the S.O.S stands for Survivors Of Sexual abuse. In two separate full-length plays, male or female survivors both confront and comfort one another as they begin their processes of healing. Appropriate for a teen or adult audience, previous productions of these plays have led to audience members seeking help as they begin to recognize themselves among the characters. Run time is about 95 minutes.
Original plays by Gillette Elvgren. Teen suicide, drug abuse, school drop out, and peer pressure are among the teen challenges that form the substance of the dramas in these 50-minute plays. With simple sets, props, and masks, these teen plays provide a springboard for meaningful discussion.
A comedy that actually DEFENDS insurance companies because everyone just assumes that insurance companies have an unlimited amount of money to hand out.
What if numbers could feel? Does a number feel diminished when it is subtracted? Originally written for a math-tutoring business open house, this short script is perfect as a classroom or meeting diversion.
This one-act play for teens deals honestly and openly with depression and suicidal impulses among teens. Set backstage in a high school theater, a high school drama class is rehearsing Hamlet and personal issues--cutting, eating disorders and low self-esteem--that are seldom discussed begin to emerge after the teacher discovers a suicide note.
Ideal for middle school and high school students. Easy to tour with a simple set. PDF available.
Fight for Life is a low-rent Jerry-Springer-style talk show whose mantra is embodied by its two major chants: Fight for Life and Stage the Rage; its ratings are sliding and fast. Along comes Grace Truman, a guest whose story seems likely to reverse their declining numbers but she is not quite the guest that host, Burt Solomon, expected.
Prince Hedgehog is a dramatic adaptation of a delightful folk tale in which a Prince—in this case born a hedgehog because of his mother’s hasty words—is sent out to further his education. This is a transformation play with a twist.
A full-length, African-American, post-Civil War drama. The only child of a deceased well-heeled Mississippi slaveholder. Martha Robb views her coming of age full of the adolescent longings and unending horizons promised by the victorious Union Army. and her quadroon complexion. She and her companion, Thomas, could forge different lives, lives absent of the old barriers … if they could only get past her mother.
A one-act playadapted from "The Dead" in James Joyce’s “Dubliners”
During an annual Christmas celebration, Gabriel Conroy has to cope with his doddering aunts, discover the true nature of his relationship with his wife, Gretta, and confront his own academic pedantry. He condescends to the provincialism of his friends, family, and his wife. But a big surprise about Gretta awaits him after he retires for the night.
“The Legacy of an Invisible Father” is a 10-min drama within Monique Franz’s play series “Legacy of a Father.” The short play highlights one woman’s futile attempt to locate a father through a private investigator. Angela’s lifelong loss of a father figure is further complicated by her biracial identity and her struggles with an unloving mother. Within the script, Angela must come to the terms that fate hadn’t been cruel to her at all, that maybe the absence of her father was the heavens working in her favor.
A one-act family comedy for 5 actors. A woman is pushed to the limits by the needs of her family. Her husband is overwhelmed by a new business venture, two of her children are self-absorbed, and her eldest son copes, with her help, with mild mental retardation. What will they do when she goes on strike?
Great for middle school, high school, community theater, school competitions, and groups for women. Downloadable, printable PDF available.
A full-length fantasy play for five characters, based on Oscar Wilde's Story The Selfish Giant. This adventure tells the enchanting story of a group of city kids who discover a beautiful house and garden in the middle of their cement and broken glass environment. But they are chased off by the selfish giant, Gorgon, who places a 'No Trespassing' sign on the gate. Because of his selfishness, the elements of Frost, Snow, and Hail invade his garden and transform it into a place where Spring is banished.
