In this musical play about the environment, there are plenty of roles for school and community drama groups A large-cast one-act musical for children and community audiences featuring talking and singing stones, trees, and yams, and animals that help the natural world blossom and bloom once a year. Things are going wrong in this magical village, and trees, flowers, and animals tell it in story and song. Full of lively songs like "We Are Here for the Halibut," these characters sing and dance their way into our hearts. Music Lead Sheets available.
In The Devil’s Due, a one-act drama/comedy, an artist, Eric Talmadge, confronts the decline of his aesthetic powers and the possible dissolution of his marriage. In a satiric tour de force, a visitor—possibly a neighboring psychiatrist and possibly a more fearsome presence—offers him a possible way out of his dilemma. Is M. Boudreaux really an unorthodox psychiatrist practicing from his apartment in NYC or does he represent a power other than the mind? And what choice does he give Eric in order to regain his peace of mind and his artistic abilities?
“The Legacy of an Invisible Father” is a 10-min drama within Monique Franz’s play series “Legacy of a Father.” The short play highlights one woman’s futile attempt to locate a father through a private investigator. Angela’s lifelong loss of a father figure is further complicated by her biracial identity and her struggles with an unloving mother. Within the script, Angela must come to the terms that fate hadn’t been cruel to her at all, that maybe the absence of her father was the heavens working in her favor.
Jeff, a college student who, in his words, "has honorable intentions, a good future, and works out 3 times a week" asks his friend Bob for advice on women after he learns that Veronica can't stomach him. He wonders if he's asked the right person when he discovers that Bob doesn't even know how Marvin Gaye died. Alicia puts it all into perspective.
A man is about to board a mysterious train when he is stopped because of the size of his luggage. What is in his trunk that he is so reluctant to part with? And where is the train going? In this 15-minute play, L. Elizabeth Powers bears witness to the fact that it's never too late to take a different path.
