This madcap full-length comedy chases Alice both down the rabbit hole and through the looking glass. Two 45-minute acts of mayhem and upside –down logic provides roles for all students. Mirror the logic and language of today’s global circus. Great opportunity for doubling.
And Sarah Laughed is a 3-woman musical comedy glimpse into the world of women as they navigate to find their own place in a man’s world Part comedy, part in-your-face slapstick, And Sarah Laughed is a matrimonial cabaret.
In this strangely magical play with songs, a woman wakes up in a train station someplace between Maybe and Nowhere. Everyone she meets is waiting for something or going somewhere, but she's just looking for a way out. The play explores how we get stuck and how we get unstuck – and what can happen in those crucial moments when how we respond makes all the difference . . .
Great for site-specific theaters or professional theaters, as well as college and university venues.
“Dinner with Osmina” is the seventh installment in the Playroom series, and it finally features the whole family in one place! The anticipation of a nice family dinner bringing everyone together explodes because of an unexpected guest.
A full-length adaptation of Frankenstein. True to the Mary Shelley original, except for a comic servant role, the play depicts the monster Creature with as much horror and sympathy as the original. Excellent for Halloween! Earlier versions of this play by Kathleen McBlair have been performed in school and community theaters since 1980. Audiences love it and scream heartily every time the Creature arrives in the window.
A collection of short comedies for seniors by Evan Guilford-Blake. The short comedies may be performed separately or together by a cast of as few as five or as many as 10. Contains:
- Old Friends -Two strangers meet on a park bench,
- The Baby - A pregnancy brings new challenges into old relationships
- Strangers in the Night - An older woman meets a younger man on the deck of the SS Sinatra, a recreational cruise ship, somewhere in the Caribbean
Original plays by Gillette Elvgren. Teen suicide, drug abuse, school drop out, and peer pressure are among the teen challenges that form the substance of the dramas in these 50-minute plays. With simple sets, props, and masks, these teen plays provide a springboard for meaningful discussion.
"Legacy of a Father" is a collection of seven dramatic and comedy one-act plays inspired by real one-on-one, personal interviews conducted by the playwright, Monique Franz. The series addresses a fatherless theme and deals with absentee fathers and the absence of what a father traditionally provides.
What if numbers could feel? Does a number feel diminished when it is subtracted? Originally written for a math-tutoring business open house, this short script is perfect as a classroom or meeting diversion.
"Ophelia Chooses" begins at Ophelia’s funeral. After perfunctory mourning by the cast of Hamlet, she is resurrected by a feminist from our time, who offers her the chance to live. Feminist Fay instructs Ophelia in the art of standing up for what she wants (and ultimately believes). This is done by revisiting all the scenes from Hamlet in which Ophelia appears.
In this one-act period drama Joshua Blanchard is preparing to leave Kansas to head west on the Oregon Trail in l835. On this climactic day, his youngest son dies, his daughter decides to marry and stay at home, and he has an important confrontation with his wife.
Performs well for middle school, high school, community theater. Great for Reader's Theater, American history or social studies class.
A full-length, poetic drama resurrects the love, lust, and retribution of the original Greek legend in modern surroundings. A stepmother's insatiable desire for her husband's son destroys a family. Set in a beach house with the sound of drumming waves and ghostly figures of fishwives in the background, this verse play brings the ancient story back to life.
Playroom is a series of comedies created by the author as a way to explore the short play and "one act" format, one setting (and one evening) at a time. An otherwise ordinary family, the characters of Hinton’s Playroom are thrust into extraordinary, supernatural, and preternatural circumstances.
Fight for Life is a low-rent Jerry-Springer-style talk show whose mantra is embodied by its two major chants: Fight for Life and Stage the Rage; its ratings are sliding and fast. Along comes Grace Truman, a guest whose story seems likely to reverse their declining numbers but she is not quite the guest that host, Burt Solomon, expected.
4 skilfully adapted plays for young audiences: Romeo and Juliet, The Tempest, A Midnight Summer's Dream, and Macbeth. Plays are each around 45 to 50 minutes, are fast-paced, engaging, and make the language more accessible to young audiences, while including both Shakespeare’s original language and theatrical devices. As exciting participatory theater they appeal to elementary school students. With the participatory elements removed, each play's frame story is producible as a play for teens or for teen drama groups to perform for a younger audience.
A full-length, African-American, post-Civil War drama. The only child of a deceased well-heeled Mississippi slaveholder. Martha Robb views her coming of age full of the adolescent longings and unending horizons promised by the victorious Union Army. and her quadroon complexion. She and her companion, Thomas, could forge different lives, lives absent of the old barriers … if they could only get past her mother.
